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试论白朴杂剧语言风格的二重性
引用本文:李良子.试论白朴杂剧语言风格的二重性[J].西安航空技术高等专科学校学报,2014(2):32-37.
作者姓名:李良子
作者单位:复旦大学中国古代文学研究中心,上海200433
摘    要:白朴是元代前期重要作家,有词、曲、杂剧传世,其中以杂剧影响最著。从具体作品与前人评述来看,白朴杂剧的语言风格中体现出了两种不同的审美倾向,即通过精巧意象与绚丽色彩实现的诗词化的艳丽与藉由大量俗语与口语叠词运用而产生的通俗化的俊朗。此二种审美倾向的产生与融合与其生平经历、文学创作和戏剧文体的要求有着密不可分的关系。

关 键 词:白朴  杂剧  诗词化  通俗化

On Duality of Language Style of Bai Pu's Poetic Dramas
LI Liang-zi.On Duality of Language Style of Bai Pu's Poetic Dramas[J].Journal of Xi'an Aerotechnical College,2014(2):32-37.
Authors:LI Liang-zi
Institution:LI Liang-zi (Research Center for Chinese Ancient Art of Fudan University, Shanghai 200433, China)
Abstract:Bai Pu ,an important writer in early Yuan Dynasty ,had Ci ,Qu and poetic dramas handed down from generation to generation ,of which poetic dramas were of the most remarkable influence .In terms of his works and predecessors'evaluation ,language style of Bai Pu's poetic drams revealed two distinct aes-thetic tendencies ,namely poetic beauty and vernacular expression .The generation and combination of two aesthetic tendencies had something to do with his experience ,literature creation and drama requirements .
Keywords:Bai Pu  poetic drama  poetry  vulgarization
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